Opening Doors For Working-Class Actors By Patricia Jones

There has been a push to get more working-class people into actors but with that, there has been little to no attempt at providing any information or support, which is why we at the lost creatives were very happy to be able to talk to Patricia Jones, a working actress of note, and the author of the book “Opening Doors for Working-Class Actors.” 

Opening up to her readers about her own journey from her Northern English roots, and struggles, her honest and upfront approach to the art of acting offers up hope for those who want a career in the arts and shows that it can be done. 

The book itself covers the basics of starting out and takes you through the process, offering advice based on experience, anecdotes about people she has met, and how her own life shaped her journey. 

Each chapter sets out a map of the craft and puts you in a position to set a clear path from starting out to finding yourself an agent, with a series of current options that are designed to be researched and cross-referenced to fit your plans, budget, and aspirations. 

Something that stood out for us was the reference to theater as a learning platform, we are big advocates of working on stage as an actor or backstage as a crew member, you will learn a huge amount about time management, voice work, character development and working to the constraints of the stage, another plus is the short and student film market, both of which can give you a chance to build showreel material and network (a very important part of the job of an actor). 

The *book “Opening Doors for Working-Class Actors.” is a book that has been needed for many years and in a content-hungry age of digital downloads, shows that the craft is not just for those with financial means, it is a journey that can be made by anyone with the determination to do it. 

With the full support and endorsement of The Lost Creatives, the book “Opening Doors for Working-Class Actors” is something we highly recommend to anyone looking to delve into the world of acting or to expand their knowledge of the working world of actors. 

To learn more about Patrician Jones or discuss bookings see:

Patricia Jones Twitter.

For further details of the book which is available in Kindle, hardback and paperback format see:

Opening Doors For Working Class Actors Amazon UK.

Talking About An Agents Life With Louise Gubbay

There are so many talents in the creative industries and we are lucky enough to be able to talk to Louise Gubbay about her work as an agent, and how she has built her talent agency and a stellar reputation with production companies as well as actors. Offering insights into the world of casting, Louise brings a fresh perspective to the world of film and TV sharing the journey with us.

Can you tell us more about yourself and your agency?  How you started out and what do you do as an agent in the social media age? 

Firstly, thank you for inviting me to do this Q&A! I sincerely hope everyone that reads this will find it of use.

After spending many years in different parts of the industry, my passion was to eventually become an agent and when the kids came along, I decided it was the right time to set up Louise Gubbay Associates back in 2006.  I have always been a boutique agent representing actors across the board.  

A few years later, I decided to set up an LA side to the agency! This certainly was not an easy task and took many months before I eventually became a US taxpayer! That was a hugely proud moment in my career! The only reason I eventually closed it was because six years of working from 9 am – 3 am Monday to Friday started to make me a tad tired! But it was a very rewarding time! 

”I never trained as an actor and as I occasionally put out on Twitter, that was a good thing as, to be frank, I would be utterly shockingly bad but envy every actor who does their job brilliantly.  When I see my clients on stage, I am like the proud mum in the audience and generally fighting back the tears! “

I believe social media is important for any business.  It helps you connect with others, support others and promote yourself.  The power of social media is extraordinary. For me though, the way I use social media is to announce confirmed castings of any of my clients and support other actors the best I can.

You have become something of a sensation on Twitter for your motivational Tweets and posts about your client's achievements.  Can you tell us what is your thinking behind this and why you feel it is important to show support across the network? 

I am not sure I would go that far but thank you! I didn’t use my Twitter that much until Covid hit us although I would always shout my client’s credits from the rooftops on it. It is a fantastic feeling when they get cast as we all know this is not an easy industry! There is a lot of rejection for actors, so when we get positive outcomes, I need to let the world know! 

When the entire industry shut down back in 2020, I read many tweets of uncertainty from actors, some of who were the ‘class of 2020’ and others who were left with anxiety as to when and how the industry would reopen, much like we all were and I wanted to give support which has carried on to present day and will continue to carry on.  I was (and still am) inspired by my actor John Craggs who runs The Actors Support Network (@network_actor ) and thought that if I could also offer support, then maybe it would give actors additional hope.  At the best of times, the industry is not an easy one but actors need to keep believing in themselves, do what they need to do to market themselves and keep plugging away.  Good things do happen in the biz and whilst some of the time, actors may feel negative, as I always say, a negative will turn into a positive at some point!

I am in my 17th year as an agent and like everyone has good days, bad days, frustrating days, and positive days but I still look forward to starting work on Monday mornings! The best part about our industry is anything can happen in the next five minutes and sometimes, it does exactly that! 

My motivational tweets are usually thought of when I am walking Mr. Sweetface (aka Zeb, the double terrier) out in the gorgeous areas of rural Devon where I am lucky enough to live. It gives me a chance to think about actors who I do not represent and how I can help, advise or support them but predominantly, give them positivity.  It is so important to me. Not every actor will have representation and those are the ones that need guidance to help make that happen.

What advice would you offer someone looking for an agent to represent them and if they are looking to join your books what would be the best approach? 

It is so important for actors seeking rep to keep reminding themselves they too, are a business. Agents get a huge amount of representation requests throughout the year and so it is important to make sure you stand out.

There is no point in sending an email saying simply ‘Hello, I am an actor and looking for representation but I am working on my showreel’ for example.  That is not selling yourself.  I’m not saying many do but the occasional one does come in.

All actors need to have a showreel.  Agents need to see if they can act.  It might sound daft as they are an actor who is approaching an agent but if I had an email such as that with the actor wanting to meet up for a coffee, why would I take time away from my own clients as well as spend money on travel to meet that actor when I have no idea if they can actually act! It may sound harsh but it is reality.

Actors need to be happy with the package they are sending over to agents which would ultimately include headshots and some kind of reel.  If they are starting out, it won’t be a professional reel with clips of scenes they have done on a professional level but they can create their own scenes and that is perfectly acceptable as long as the sound and quality are at a decent level.  Something is always better than nothing! Actors are creatives, so create!

Also, and importantly, actors need to research the agents they are interested in. We don’t expect any actor to just pick one agent to approach at any one time but look and see which ones you think you could be a part of.  Working with an agent is a two-way street.  Both are after the same goal so it is imperative that both sides can work together.  I cannot guarantee that I would get any new client seen tomorrow, the next day, or the next month.  I am not psychic (sometimes I wish I was!) but the most important factor is for any of my actors to have that trust in me knowing that I am doing my job, which thankfully they do but also for me to know that those that who are also starting out are being proactive too.  A saying I have had for years is to never wait for the phone to ring….

This industry is all about selling yourself so actors should pinpoint the highlights of their career achievements so far. This could be that they have just graduated or they have just been cast in a short film or that they have just finished in the West End.  It doesn’t matter how big or small the credit is, it is simply about selling themselves.

Can you tell us what would you say to aspiring agents out there?  Is there any advice you can offer to new and potential agents to help them grow? 

If they really want to become agents, then do it! I feel absolutely blessed to have a job that I am so passionate about and feel the same enthusiasm today as I did on day one.  

I have advised a couple of new agents recently who have got in touch and am very happy to do that as I was a new agent once.  It is not the easiest career to get started but it is doable! Like any business, again, it’s all about marketing yourself, making contacts, and not giving up. When I see new agents on Twitter and see how passionate they are, I will always happily re-tweet them. Support goes a long way for any new business! Make it happen!

To learn more about Louise Gubbay and Associates or to get in touch see:

Louise Gubbay and Associates Website.

Louise Gubbay and Associates Twitter.

Louise Gubbay and Associates Facebook.

Louise Gubbay and associates Linkedin.

Travel and Meeting Contacts Featuring vShowcards

We are really pleased when people reach out, especially when our contacts who have taken time off, come to us to talk about working on something fresh which has been happening a lot recently especially with photographers and a few actors who feel that the time is right to start working on smaller projects to stretch their muscles a little after the uncertainty of the last two years.

Naturally, this has given us the impetus to think a little more deeply about concepts and start stockpiling items that may seem strange but will in the long term be of advantage to us, such as the mix of ready-made prosthetics, butterflies, and other items that would on the surface seem strange.

In addition to this, we are planning a trip to London, part buyers trip and part meet up with friends, although the timing for this has been a little tricky due to family commitments, there are advantages to this that aside from being able to shop, we can discuss plans with the team at vShowcards gaining further insight their upcoming changes (which look to be amazing), our creative director JamesC is already a member which is another reason we want to sit with them and work out some details and add to his profile with strategic work.

What we are planning for is trips to the major makeup retailers, meeting with clients/friends, then returning to Scotland to work on additions to the sites across the board. There is something to be said for this plan that goes beyond the obvious networking, it really is about finding new sources of inspiration on route.

The scope and potential of this trip should be interesting and be a welcome break from the background work we have been doing.

To learn more about JamesC or the vShowcards site see:

JamesC vShowcards.

vShwocards official site.

Don't F*ck Up Your No Budget Movie! By Ivan Peric

As an accomplished filmmaker and actor in his own right, Ivan Peric has become something of a maven for the digital content market and with his book “Don’t F*ck Your No Budget Movie” takes you through the hard-earned and hard-learned process that took his passion for acting and film to a wider audience, detailing the process with retrospective ease to help others in the same place.

Working backward, Ivan Peric talks about his own experience of starting out as a filmmaker taking the mistakes he made, the lessons he learned, and compiling them into an easy-to-follow and frankly common-sense manner that will change the way you look at digital filmmaking and selling your product.

Many new and established filmmakers have the belief that “If I make it, they shall come,” and focus on film as an art form rather than a commercial venture, which if you want to make a career out of this is the wrong approach and often leads down the path of shelving a project. What this book focuses on is taking the art, and the commercial, combining the two, and producing work that will be a showcase of your talents and commercially viable.

What is really refreshing about “Don't F*ck Your No-Budget Movie” is the candor with which Ivan approaches the process, he openly talks about how hard it was to make things happen and why, giving a first-hand view of what he did, how he achieved it and what pitfalls he faced in the journey.

As a team, we can see the value in this book and fully endorse it, our team has worked behind and in front of the camera for over 20 years and we decided that we wanted to focus our energy on producing for ourselves which we had a broad idea of what was involved from previous work, however, taking that knowledge (along with our contacts in distribution, casting, etc), alongside the stellar advice offered by Ivan Peric in his book, we can clearly create a path that will reduce the process of creating a TV or film project and streamline it making it a much more cohesive journey. *It is worth noting even with the experience we have it is always good to source additional information and add to the arsenal of information we have in our pocket, which this book did by verifying our thought processes and giving a clear and concise plan that filled in certain gaps in our knowledge.

To learn more about Ivan Peric or to purchase the book see:

Ivan Peric Link Tree.

Ivan Peric Twitter.

Don't F*ck Up Your No Budget Movie! Amazon UK. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Amazon USA. (Kindle, Paperback, and Hardback)

Don't F*ck Up Your No Budget Movie! Barns and Noble USA

Don't F*ck Up Your No Budget Movie! Google Books.

Don't F*ck Up Your No Budget Movie! Apple Books.

Talking Acting and The Vshowcards Site With Alex Reece

We are incredibly proud to be able to talk to some of the leading talents in the UK about their careers and plans, with a CV that spans the world, and a down to earth attitude Alex Reece is not only an actor of note but the co-founder of vshowcards the newest talent spotlight site to hit the market and create a storm.

As an actor you have had a varied career, can you start by telling us about yourself and the work you have done?

“I’m an adventurer at heart. I love new experiences and extreme ones too. I’ve traveled and lived on different continents and learned languages and studied martial arts and cultures as diverse as Capoeira in Brazil and Kalari Payatttu in India.”

I’ve lived in the mountains in Spain where I scratched a living working for the local farmers and builders. Acting is an extension of that. It’s a way of going to new places, from a perceptual point of view… investigating new characters and immersing myself in different stories. It’s a great adventure.

What has been the highlight so far of your career and is there a dream role you would like to take on?

There have been several huge highlights… getting flown to Canada to do a great role as a Hindi speaking English spy ( I’ve been learning Hindi since doing a huge movie Sajjan Singh Rangroot with Punjabi superstar Diljit Dosanjh) and working with Daniel Craig on the Heineken Skyfall Commercial and getting cast as the lead villain in Danny Patrick’s latest movie ‘The Aryan Papers’ - Danny won the Cannes Film Festival Best Director for Independent film in 2021 and to be working with is just huge.

What advice would you offer to a new or aspiring actor?

Get proactive. Don’t wait for the jobs to come to you. Keep at it, the craft, the marketing, the networking. A powerfully positive mental attitude is your best asset. And get a vShowcard. It’s the best way to put an actor’s professional information all in one link.

You are one of the founders of vshowcards, can you tell us a little more about the site and how it works?

The vShowcards site lets Actors put all of their information in one link. This saves the casting directors so much time. These days you need to have all your links in one place. A vshowcard is the next best thing to actually meeting people. Meeting people is the best way to connect and network, and the vShowcard is the best link to send to people so that they can see as much of you and your work all in one place.

To learn more about Alex Reece or to discuss booking see:

Alex Reece vshowcards.

Alex Reece Twitter.

Alex Reece Instagram.

Alex Reece Facebook.

Alex Reece Spotlight.

Alex Reece IMDB.

Cut Frame Magazine

Designed to be a showcase platform for talent, from emerging to the established, Cut Frame Magazine has been making waves in the arts for its frontline look at the industry and passion for showcasing voices that might otherwise be missed. 

A creative hub that talks to the different people involved in creating the music we love, the theatre we watch, and the film and TV projects we enjoy, Cut Frame has become a go-to for the creative talent sphere that is rapidly gaining eyes outside the industry for its open dialogue approach and easy form. 

Insights from talent are something that frequently gets overlooked especially from the crew, what this magazine offers is them the chance to speak and show the reality of being part of an industry that spans the globe.  

Standing out in the market, Cut Frame has been instrumental in opening up a dialogue with filmmakers and actors who are telling the world about their journey, looking at the films that captivate us, and reviewing them with the critical eye of the talent behind the camera.  

With plans in motion to expand the platform with membership options that will open up further stories that are industry-related and give a more comprehensive and in-depth focus to their work, alongside a podcast culminating an end goal of going beyond the current boundaries and opening up the world to the potential of the creative fields. 

In an industry that relies on networking, marketing, and of course contacts, Cut Frame offers professional insight into that world and gives valuable advice and support to the creative networks out there, and shows us that we are not alone, the industry is there to support you.  

To learn more about Cut Frame, support, or get involved see:

Cut Frame Magazine.

Cut Frame Instagram.

Cut Frame Twitter.

Cut Frame Linkedin.

Support the magazine and its writers via:

Cut Frame Paypal.

Cut Frame Buy me a coffee.

Creating a Story and Building the Brand

When Lost Creatives was first started it was about a journey and finding a path, in that time we have covered a wide range of people’s stories and given a voice to some amazing filmmakers who have helped bring our creative narrative as well as their own, to the public domain.

Over the next few months we plan to add to the stories in a more visual sense, with so much of our work having to be held due to publication terms, it will be fun to finally be able to showcase the work that has been done in the background by our creative director and head of makeup JamesC. Some new portfolio pieces are being finalized with the JamesC portfolio site (frustratingly) taken longer than planned we will be reverting back and reworking the current site with the new content and bringing in a much more cohesive workflow across the sites we already have with the additions of showcasing his work as a photographer into the bargain.

When it comes to production, there is some light at the end of a long tunnel, we have chosen two TV shows to produce along with two short films that we will use as entry back into the market, and with our work with some Amazingly talented filmmakers when it comes to cost, we have been able to work the angles and find additional avenues of marketing, sales, and of course open up our team to different potential projects outside of horror and thriller.

Naturally, we will be working with vshowcards who have been fantastic and are rapidly gaining ground in the production realm and have even got Bollywood on their side which is an amazing coup for the team.

In the next few weeks, we will be making a return to social media with the Lost Creatives and Lost Agency Instagram being updated with new work and some experimental shots we have been playing around with as part of a planned concept.

More news and updates on The Lost coming soon.

Making No Mercy a Boxing Odyssey

When it comes to indie film the process can be arduous and full of obstacles but the outcome is worth every step. Tackling not just acting but producing, directing, and more we talk to Louis Findlay about his latest film No Mercy, a film about the darker side of boxing, taking the gloves off and looking at it from a different angle.

Filming a project on this scale is a big undertaking, what have been some of the challenges you have faced in the process and how did you overcome them?

The biggest challenge for this project was money. I must have spent around £2,000+ on the project which is all I could really afford. Most of it was my own money and then the rest was via GoFundMe. The way I overcame potential challenges prior to filming was by writing locations I knew I had access to and casting friends I had worked with before. Then it was literally asking a LOT of favors from everyone else. One challenge I wasn’t prepared for was COVID. We literally had the training montage to film which is one of the most important scenes in any boxing movie,  so we couldn’t wrap it till we shot that but no one knew how long lockdown would last.  I felt about pulling the plug on this project so many times when the going got tough, but I just had to fight my way through it (no pun intended) 

The style of the film is very close to the docudrama or docusoap style, do you think that will change how people will look at the film and the people involved?  

Yeah, I hope so. The main focus was about making these characters feel real and forget people are actually playing these parts. I wanted to show this working-class family who are incredibly close, who have had their ups and downs and a fair share of family drama but at the end of the day, you can relate and fall in love with them.  I wanted it to feel natural and I think the visual style really helps to sell that. THAT and the fact everyone just bossed their roles. 

What was the motivation for this project in particular the look at boxing and the behind the gloves side of the business?

 My dad used to box back in the day, not professional but had a few bouts. He tried getting me to do it as a kid but I felt bad hitting people in the face. I have fond memories of his Mike Tyson VHS tapes on the shelf (which eventually made their way to the loft.  Dad and I watched them a few times when I was a kid and I thought it was pretty cool but had no interest in pursuing it other than working the bag and pads in the gym as I got older. 

But I think what makes any boxing film great is the story outside the ring, I think southpaw is a great example of that because he’s fighting for his daughter, not about being champ.  For my film, I wanted to focus on the darker side of boxing which is reflected in some of the dialogue and the way the promoter goes about business. I took a lot of inspiration from DareDevil, between a prize-fighting father and a son who looks up to him, but behind the scenes the promoter is dodgy. I also threw a lot of personal stuff from my childhood into the project too. 

There have been many who have taken the step over the line from actor to director/producer and worked both sides of the camera. Do you think this is something you will continue between acting jobs as a means to not only showcase your own concepts but to create opportunities for others in the creative fields?  

Absolutely, 100%. I had no idea how to get into the acting business when I left school so I started making my own films. In essence, I’ve learned other skills along the way by doing that such as writing and learning how a camera works.  But I’m very much a person who can’t sit still, I don’t wait for the grass to grow and if no one is going to give me the roles I want then I’ll go out and get them myself. I could’ve been waiting years for a role like this and it may have never come my way.  I think it’s so important for actors to make their own work and if I can help others out along the way and offer opportunities in front or behind the camera then that’s what I’ll continue to do! 

 What is next for you and your team? Do you have any projects in the works that you can tell us about?

 Yes, I’ve got a micro shortcoming very soon that we shot on the sky in Trafalgar, a short film called RoadKill that I had hoped to turn into a feature and a drama coming very soon which is about a man confronting someone from his past revisiting some disturbing memories. I have also just written two new features. 

What advice would you offer to someone starting their journey as a filmmaker and actor?

As I said, don’t wait for the grass to grow. It is so easy to make a film nowadays, we all have a camera in our pocket so just write something and film it.  Find like-minded people who can help you and if you’re really nice to people they’ll go out of their way for you. If you don’t ask, you don’t get - simple! 

*I would like to add a huge thank you to everyone involve and in particular Marcus O’Brien, Brandon Bailey, Dan brooks, Richie lamb, Gerard, and Keith Scott.

To learn more about the film or the team see:

No Mercy Trailer.

No Mercy Facebook.

No Mercy Twitter.

No Mercy IMDB.

Strategically Lost

As we come closer to the final launch of our additional sites, Lost Agency, and Lost Stills, which will be used to manage and market the team with our commercial-based projects both stills and print, being organized around the Lost Concept.

Staying within the film and TV project base we will also be working on some more fashion-oriented images with possible fashion films into the bargain, *focusing on the behind-the-scenes elements of our creative shoots which in turn will give us some footage to be used as showreel material and marketing fodder.

We will also be continuing our Q and A blogs in support of the indie scene and looking at different elements of filmmaking and giving voice to campaigns, fundraisers, and individual talents.

Over the next few weeks, we will be finalizing and putting out the new work with a full and comprehensive business plan being polished to meet the new standards within the industry.

Stay tuned for more updates from the lost team.

Talking Acting and Directing With Paul Andrew Goldsmith

We wanted to take a look at the life of a full-time actor and creator, asking questions about the journey and upcoming projects with the help of Paul Andrew Goldsmith we were able to gain a little more insight into the world of an actor/director as he prepares for his new work.

Can you tell us a little about yourself, your career, and your own projects and plans? 

Whatever it is, the way you tell your story online can make all the difference.

I’m Paul Andrew Goldsmith, a professional creative based in little old Norfolk. I’ve had a very varied career including theatre, film, and TV work, and particularly proud to have been able to make my full-time living from the industry. It’s nowadays so hard to actually describe your profession, I act, I direct, I write and I teach. I literally do as much of anything I can in order to earn a living. I consider myself really lucky to be able to do so. Though let’s be honest we can all forget about 2020. 

Alongside my current project, my first feature film, I’m excited to get back to directing the  Warner Bros show, ‘The Polar Express’ this year and taking our street theatre show, ‘Ulysses’ out in the summer. 

So far in your career has there been a milestone that you want to share or a project you are particularly proud of? 

When I first started out full time as an actor I set various goals to achieve, 1st theatre tour, 1st film role, getting on spotlight, 1st agent, and so on. I think it’s always wise to have a stream of achievable targets that can adapt as you go but you must start out small so you don’t feel like a failure early on. It’s also worth keeping that list to always look back on to remind yourself exactly what you have achieved and how far you’ve gone. I think this is very true for the past year of lockdown when many of us have felt it’s not happening. 

As for milestones that make me particularly proud, I think it’s probably two. The first time I got paid for my work and secondly the first time I was able to pay others as a result of my work. It’s an incredibly empowering feeling to be able to bring employment to other creatives through things you’ve created. Again, especially after the past year. ‘NOTE I promise that’s the last time I’ll refer to the unwelcome visitor of 2020. 

What has been the biggest challenge you have faced so far as either an actor or as a director? 

Self-doubt and imposter syndrome for both. It never truly goes away however many years you’ve been active and how much work you’ve done. However, you can dampen it again by reminding yourself of the things you have achieved. 

You have a new project that you are crowdfunding. Can you tell us a little more about it and what was your motivation for creating it?  

When I was first starting out as an actor, I wanted a job to help earn yet be flexible enough to enable me to book acting work. I became a support worker for adults with learning disabilities. I found that I was a natural with the work and soon became a home manager before eventually opening my own day service. During my time working in the industry, I was alarmed at some of the treatment that goes on, intentionally and unintentionally with lifestyle choices being decided by care plans and risk assessments. I felt true freedom of expression and choice was regularly blocked and very often just to suit a particular organization rather than the person paying for those services. At the time I realized there were stories to be told, particularly a situation I observed with two service users who were clearly in love, yet kept apart. I began noting things I noticed that I felt could become part of a theatre show or film and now, some years later, I’m ready to bring it all together in a film. 

SAGACITY –

When a support worker realizes two men with learning disabilities have fallen in love at a daycare center, he fights for their rights to form a full relationship but is thwarted constantly by governance, staff members, and the care home management. 

Whatever it is, the way you tell your story online can make all the difference.

I’m currently sourcing funding for the film in a variety of different ways as it is essential for me to be able to pay all those involved. Sadly 2020, Damnit I mentioned it again, wiped a huge amount of my savings out so I’m starting again from scratch. 

We’re all in the same boat so I’m asking people to just ‘Buy me a coffee’ from as little as £2 or to follow/share media as much as possible to raise awareness. 

Is there any advice you would offer someone entering into the creative arts and media? 

Believe in yourself. Be open to every opportunity, often the small things become lifelines and away into something far more. Get to know others, but always work based on what’s best for you and what works for you. Whilst many will claim there is, there truly aren’t any rules to what the industry is for you. It’s the arts, after all, it’s supposed to be for everyone. 

To learn more about Andrew Paul Goldsmith or his current projects see:

Paul Andrew Goldsmith Vshowcards.

Paul Andrew Goldsmith Twitter.

Sagacity Campaign.

Sagacity Twitter.

Sagacity Facebook.

Short and Micro Films

We have been extremely lucky with our contacts across the board and privy to a variety of amazing short/microfilms that have been either experimental or designed to augment actors’ showreels. Each that we have seen (both the public and password protected) had a common thread: they make you think.

Taking this further we have been discussing with the very talented, Alistair Smith, his own scene work as potentially a festival project. *We were lucky to be given access through a password-protected link, but can honestly say that he has got us thinking about micro/short projects as a tool to promote.

We are supporters of using short and microfilms as promotional tools and understand that the concepts can vary from a 30-second commercial to a 20-minute film, the key to this for us, is the story must work and make the watcher think. You should want to see more or ask questions about the backstory, this for us is successful.

Someone else who appreciates this idea is the team behind Micromania Film Festival, focused specifically on films under 5 minutes, there is a real challenge to the process of filmmaking in general but the potential of a film of 5 minutes or less is to us, something we want to explore in more depth as a combination of marketing tool and experimental process with films that will challenge us a team.

We are going to be reviewing options and looking at scripts that will give us that room to experiment, showcase the talents of both those in front and behind the cameras with the added element of documentary footage, and potentially showreel material for certain members of the team.

Stay tuned for updates.

Talking Film With Louis Findlay

As the indie film scene takes more of a center stage to the world of filmmaking, we talk to Louis Findlay about his project Roadkill and the journey it has been getting there as both a creator and a performer.

Can you tell us a little about yourself, your career?

 I’m 30 years old, my wife and I have just had a baby - our first, and I now have a dad bod!  

I’ve always been excited by cameras, I was always looking in the Argos catalog as a kid and being excited by all the new cameras. I used to love going in Jessops and seeing them on the shelf and always dreamed of having one. 

I got my first camera when I was 14 and used to make all of our Parkour videos which I did till I was 22 working as a professional soon also forerunner. 

When I started acting I had no idea how to get into it and no one would give me a chance, so I started writing and filming my own scenes which soon turned into shorts and then features. 

My first short film called Days To Come was loosely based on my own struggles with anxiety and depression, it won 4 awards in Europe and I won the best actor at the Los Angeles Actor Awards in 2017. 

Since then, I’ve not looked back and continue to make my own work, I love it.

 You have a new project that you are crowdfunding. Can you tell us a little more about it?

RoadKill is based on a short film me and some friends made in 2018. It centers around two brothers who are traveling across the country and during an argument, they crash the car and hit a girl walking along the side of a road and how they cope with doing the right thing.

The feature has come a long way since the short and very much centers around life at home between Ben and his mother Liz who’s alcohol addiction is not only affecting her life but Ben’s life too. He turns to selling drugs on the estate to pay the bills after losing his job and lands himself in a spot of bother. His older brother Josh returns from prison and is determined to turn his life around, connect with his ex and be the family man but he has no idea how hard life has been for Ben. Their mother is taken to hospital and doctors recommend she needs rehab to make a full recovery but they don’t have the money. They agree to do a job for Ben’s dodgy boss and if all goes well they’ll have enough money to cover the costs of treatment. This film focuses on broken Britain and the lengths people will go to in order to keep a roof over their heads and take care of the ones they love. 

 What is your goal as a filmmaker and what would be your dream project?  

 My goal as a filmmaker is just to continue telling stories and never stop. I don’t seek permission from anyone, if I have a story to tell then I’ll tell it. My goal is to focus on hard-hitting dramas and offer an insight into other people’s lives so that we can learn from others. 

I don’t know if I have a dream job, I’m just very happy doing what I’m currently doing. But I guess the dream is just working with like-minded people and having fun along the way. 

 Is there any advice you would offer someone entering into the creative arts and media?

 Do your research. Reach out to others for help start small. Work within your limits and make use of things you already have. 

Have a bit of money behind you, never crowdfund without putting your own money in first. I like to think of crowdfunding as just topping off the glass. I always put as much money as I can into my films because if crowdfunding is unsuccessful, you’re not relying entirely on others to help you tell your story. You’ll have some money in your pocket to make a start at least. 

“ If you have an idea, find a way to get it done no matter what, if someone tells you “no” but you're passionate about telling  it, then tell it!”

To learn more about the project or to support the film see:

Roadkill Movie Fundraiser.

Roadkill Movie Website.

Roadkill Movie Facebook.

Roadkill Movie Instagram.

Roadkill Movie Twitter.

Talking Casting With Ray Whelan Actor and Talent Agent

In the first of a two-part look at the life of actors and talent agents, garnering some advice for aspiring actors and creative talent looking to be signed we talk to the talented Ray Whelan whose work as an actor has led him down the talent agent route with the T-ypo Agency giving him a unique insight into both sides of the business.

Can you tell us a little about your career and how you can be both a talent agent and actor?  

I grew up in Ireland from a very talented musical family, we were all in plays and musicals before I even went to drama school. After I graduated I moved to London. I have been working hard ever since. After moving into filming and creating my own work I also joined my agent Typo Artist Agency which I love. 

What have you learned in your capacity as a talent agent and actor that could benefit other actors? 

Casting directors are busy people, they have so many projects on the go, so when you send in your self-tape, make sure you label your name, project, and agent, you might lose out on the job if you haven’t done this. I also would say when you actually get a self-tape or audition you have already beaten hundreds of thousands of people to get there, you have to send it in or turn it up. I see too many people skip it or miss their deadline. You will miss your opportunity and even if you don’t land the role, casting directors remember people and usually re-use the acting agents again. It’s not just the actor’s reputation on the line it's also the talent agent’s reputation also.

What recommendations would you make to someone looking to get signed to an agency?

Good headshots are a must first. We look to see if they have a spotlight page and showreel, but we do sign people who are not on spotlight, so don’t be scared to not apply. Our new (T-ypo agency) website should be launched this week, we will have an option to upload your headshots and work and we can simply approve or not. Also, so many agent’s books are open, just keep looking and keep persisting, it’s the name of the game. 

Is there a dream role or project you would like to be involved in? 

As an actor any good role in a film or TV show is great. Later this year we are starting casting calls for a feature film called Ladies Day featuring a host of top actors and celebrities and we will be posting castings on spotlight and our social media.

To learn more about Ray Whelan and his work see:

Ray Whelan Spotlight.

Ray Whelan IMDB.

For further information or to talk to the team at The T-ypo Agency see:

The Typo Agency.

Profiling Talent with Alistair Smith Actor

Can you tell us a little about yourself, your career, and how you came to be part of the acting community?

My entry into the acting community was somewhat of a Covid epiphany.  I’ve come from the corporate world having graduated with a business degree. Over the last 20 years, I built a pretty successful career, starting my own consultancy business about 5 years ago.

I wanted to go to drama school when I was in my late teens but at the time was persuaded to go down a more secure route.  I’ve always been creative and looking back I was very frustrated in my choice of work.

At the start of lockdown, with work having dried up, it gave me the headspace to start thinking about what I wanted to do and came to the realization that I’d never given myself the chance to actually pursue my dreams.  

I called up a good friend who works in theatre and he put me in touch with my first acting coach.  My passion is film and television and so I decided to dip my toe into the water at “an introduction to film and television acting” with Actors Studio at Pinewood studios.  I loved it.  I immediately signed up for the 1 month intensive diploma course and knew this is what I want to do.  Since then, I have joined my local theatre group, taken numerous acting classes, and started to build my network and credits.

 So far in your career has there been a milestone that you want to share or a project you are particularly proud of?

 My current high-point is being cast in a feature film.   It’s filming in the next couple of months and am really excited about it.  I’d say the other high point is just experiencing the kindness and generosity of the creative community as a whole.  Having come from the corporate world it has been a refreshing and welcome change. 

If you could choose any project to tackle what would it be and why: a film?  A TV show?  Theatre? 

I feel I was made for a chunky role in Line of Duty or a gritty drama. A period drama would also be an amazing experience.

What are your goals for this year in terms of your career?

To get on Spotlight, to get an agent and appear on a mainstream TV show.

To learn more about Alistair Smith or to discuss bookings see:

Alistair Smith Showreel.

Alistair Smith Mandy.com Profile.

Alistair Smith Twitter.

Alistair Smith Instagram.

Alistair Smith IMDB.

Alistair Smith Starnow.