Fragmented: a Short Film

Having already garnered festival laurels and awards, the short film Fragmented by Accion Films is a prime example of the excellence that can be found on the indie scene and shows that working outside the mainstream is a valid and in many cases fruitful avenue.

Built around heartache and building to a heart-warming moment of family unity, the creative team led by Alejandro Forcado has given the world a glimpse into the beauty and humanity of his country, the people and brought a familiar concept into a new realm that with an amazing team of creatives from the actors to the crew, and showcased talents that deservedly are receiving accolades for their work.

To learn more about the Accion Films see:

Accion Films YouTube.

Accion Films Instagram.

Propshak Ayrshire

Located in the heart of Ayrshire, Propshak has become the go-to location for creative talent in props, fx and combined with their community focused training academy that is opening the doors to talent from all walks of life the propshak is the place to be and the place to be seen in the Scottish industry.

Working with some of the best and brightest in the media industry, the teams work can be seen across genres from theatre to film and TV with clients ranging from the BBC and Netflix to stage production, it is no surprise that they are fast becoming a force to be reckoned with in the industry and earning a reputation for their workshops that are giving opportunities to learn and hone artistic skills in the creative fields.

The workshops are designed to be about community accessibility with a fantastic team of staff and volunteers training the next generation prop makers and fx artists in everything from masks to moulds, and so much more.

Propshak offers services to meet the needs of the smallest to the largest productions and pride themselves on the quality of their work and commitment to industry standards.

To learn more about Propshak and their work see:

Propshak Website.

Propshak Instagram.

Propshak Facebook.

Propshak YouTube.

A New Addition To The Lost Library

A new addition to the lost library is the fantastic book by Begona F Martin titled Special Makeup Effects & Prosthetics - An essential guide, a truly fascinating and well structured look at the potential of special FX and prosthetics aimed at the cosplay market, it offers up a wealth of information, resources and tips that will be beneficial to a wide range of creatives from makeup artists working in media to cosplayers looking to up their game.

With her extensive background in the arts as well as FX, Begona’s (BB to her friends) book is to me, a must read for those looking to expand their knowledge and test the waters of flat moulds and silicone, with step by step images and detailed explanations of each process with cost-efficient recommendations that will help those on a budget looking to get more creative in their work taking you through materials and techniques in a way that is easy to follow and insightful.

From the images to the text, it is all created by Begona over two years showcasing absolute passion for not just the special FX industry but sharing the skills that she has gained over the course of her career.

To learn more about the book or to purchase from her range of ready made FX or just to follow her work see:

Begona F Martin Website and Store.

BBFX Etsy Store.

Begona Martin Instagram.

Cosplay Instagram.

Film Thoughts with Peter Tilley Producer and Actor

Peter Tilley, actor and producer took time to talk to us about his latest co-project: The Foreboding: Fractured, and share his insights from not just this project but what the future holds for him as a creative.

You have been working on promotion for your most recent project The Foreboding:  Fractured, where you are part of the cast. Can you tell us more about the project and  your involvement?  

Back in the summer of this year I messaged my good friend Alexander Staunton-Hill, who is  an incredibly talented writer and actor. I said how I wanted to put my own spin on a teen  horror story and make a film specifically for the Horror-On-Sea Film Festival in January  2024. Not long later, he returned with a fantastic script that completely elevated the idea of  that take on a group of teens coming face to face with a deadly enemy in the woods. We  soon took this into production, undertaking the casting process and filming just a matter of  weeks later. I took on the credit of producer for this film, along with playing one of the titular  roles as Aaron. Balancing both learning lines and taking on all of the producer  responsibilities was certainly a challenge, but this allowed me to gain great experience within  the film industry and help to create something fresh and exciting.  

The film follows a group of university students who have just finished their first year of Uni  and decide to go on a little camping trip into the woods to celebrate, however this trip won’t  be so plain sailing as they soon encounter a deadly presence lurking within the forest.  However there’s a lot more to this story than meets the eye, for this isn’t your stereotypical  teen horror flick. What fates lie ahead for Aaron, Connor, Abigail and Lauren?  

As an actor what challenges did you face involving yourself in The Foreboding:  Fractured and how did you overcome them?  

There was quite a few issues that came up on set, some of which were completely out of our  control. For example, we were shooting for long hours going into the night and was hit by a  thunderstorm with torrential rain, temperatures hitting low figures in the early hours of the  morning not having very warm layers of clothing on. Filming these scenes out in the open on  a farm in the middle of Sussex with this bad weather certainly proved tricky, but we got  through those obstacles as a team still gaining good results. 

Which side of the camera do you prefer working and why?  

I’ve been fortunate to have experienced both now, however I am primarily an actor and  mostly enjoy working infront of the camera, portraying different characters and bringing  these scenes to life. Saying that, I worked as a producer on this film which was enjoyable  and would certainly dip my toes into that role again in the future, so it is fun to work on both  sides of the camera. It’s mesmerising to see how a production all comes together from either  side. I would never rule anything out! 

What have you got planned next as a creative that you can share and how can people  find out more about you and your work?  

We’ve got BIG plans for The Foreboding, so I will mainly be putting all my attention on that  going forward. I’ve got some other projects lined up for the year ahead but am just waiting  on getting schedules for those films, which I’m very much looking forward to shooting. You can find me on multiple social media platforms, on Twitter (or X now as it’s called!) at  PeterTilley20 and on Instagram with the handle @Tilley.Peter. You can follow the official page  for The Foreboding @theforebodingofficial and tickets are now available to purchase for the  film via horror-on-sea.com with it’s world premiere screening at the Horror-On-Sea Film  Festival on Saturday 20th January 2024!

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Discussing Film with Kemal Yildirim

Expanding on our previous blogs with the team behind The Foreboding: Fractured, we talk to director, editor and DOP Kemal Yildirim about the films making.

You were a leading voice behind The Foreboding: Fractured as the director. Can you tell us a little more about the thought process behind the creation of this project?

When Alexander sent me the script I was immediately taken with the characters he created and how he captured that feeling of what comes next on our journeys into adulthood. I have always been a fan of horror and in particular ghost story and folklore genres. As Director and Cinematographer I wanted to create a sense of unease, that these characters who are on the cusp of adulthood are in danger. I also wanted to create a sense that the infamous woodland they enter has a life of its own and plays on their fears. I used the tropes from the folklore and supernatural genre to do this.

What challenges have you faced in the making of the project and how did you overcome them?

As with all films there will always be challenges. Our biggest challenge was how remote the location was and that it had no power outlets. So we had to rely on a generator to help aid our shoot. Our first generator blew up so that meant one of our night shoots was affected. The good old British weather was some of the worst I have seen with torrential rain and winds, but none of this stopped us. The thing I love about indie filmmaking is the tenacity and team spirit to get through stressful situations for the sake of the production, a singular goal of getting the film over the line and to see the vision through.

Now that the project is complete and you have started the PR and marketing what is next for you as a creative that you can share?

There are always more projects in the pipeline, I am lucky as I have a good career as a cinematographer as well so I am working with some really exciting filmmakers from the indie scene. I am also developing some really interesting scripts ready to launch into production when the timing is right.

Is there any advice you can offer to people starting out or creating their own film?

My advice is simple, the times we are in right now is a great time to be a filmmaker. Tech is more affordable and with so much talent behind and in front of the camera there really isn’t an excuse not to make your film. The script is key, have a solid script and build a team of like minded creatives to help bring that vision to life.

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Expanding on The Foreboding: Fractured

We are always happy to talk to filmmakers and actors who take the leap and create their own projects and The Foreboding: Fractured is one of those films that captured attention from the poster, and of course the various interviews we are lucky to be able to speak to Alexander who was part of the trio behind the creation of the film.

You were a major part of the creation of The Foreboding: Fractured as both the  writer & of course the final film production, what was the thinking behind this  horror project?  

I suppose it would depend on what stage we are talking about. At the very beginning the  main focus was how we could make a teen horror flick without it being cliché or exactly  the same as the others. Then hearing the timeframe we had made me have one thought  “Let’s do it.” If we’re talking two weeks in then I was more thinking about the SAG AFTRA strike & whether continuing the film was a good idea since the strike was  something I supported. The answer became keep the film going due to the fact we don’t  have a big corporation behind us, it was myself, Peter & Kemal with a very dedicated  team. Honestly there were so many thoughts that went through my head throughout the  course of the project. Some were purely down to the script & the story, the others came  down to my acting. 

As a writer & creator, which part of the process do you feel you most enjoy? In  front of the camera? Behind the camera? Writing the stories? Or a combination of  these?  

I mean first & foremost I’m an actor, so playing Connor was something I really enjoyed &  also quite unexpected. In front of the camera it was a joy being able to work alongside  Eve Kathryn Oliver & Olivia Bennett. Obviously there’s Peter as well but I feel like that’s  kind of a given. Myself & Peter have been wanting to act alongside one another for a  while so finally being able to do it was brilliant. It just felt right. I loved coming up with  the stories, the characters & how the world intertwines with all of it. Having Kemal come  on & really embracing the world that the story is set in made the project that much  easier & he had such an amazing understanding of it. It got to the point where even  though I created this world, it felt like Kemal & Peter had a far better understanding of it  than I did in the end. I feel like they definitely know all my little tricks now. 

You & the team are currently working on PR for your project including interviews  & festival planning. What do you feel will be the next phase after this project & the  marketing?  

Well Myself, Kemal & Peter have been talking about the future of the world that’s been  created & if we were to return to it, how we’d go about it. We love this world, we love the  characters. We’ve spoken about making a feature however it is all up in the air. If the audience likes the film & wants to see what I would consider the true perspective, then chances are it’ll be made.  

What advice do you have for people who are starting out or looking to start their  own projects?  

I think the best advice I could possibly give is throw yourself into it. If you have an idea,  run with it as best as you can. You’ve got to be a little bit risky & you have to be okay  with the idea of not running through a wall but finding a way over it. On sets big & small  there are always issues, very very rarely is it smooth sailing & believe it or not that is  quite possibly the best part about it.

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Tea and Business With Nepal Film Productions

Something I and the rest of the team at Lost Creatives are incredibly proud of is our ties to Nepal Film Productions as a consultant, our founder and creative director JamesC works closely with the team to discuss a wide range of subjects and catch up on the latest business news from our partners in Nepal.

Our most recent discussions were done as always virtually, with JamesC taking coffee at his favourite spot and working with the team at Nepal Film Productions on some smaller concept project details with a little personal news into the bargain.

Leaders in various fields, it is always a pleasure to hear about the clientele and projects that they are involved in and offer up new options such as introductions to our own contacts such as Sons of Adonis, and New Village Video, giving the makeup artists and fellow filmmakers of Nepal access to new resources and avenues in both makeup and of course, distribution for indie film.

Nepal Film Productions are currently working a slate of exciting projects with new and regular clients ranging from the premium end of the market (Netflix and Warner Bros to name but two), as well as indie film and collaborating with film festivals to showcase new talent.

Very soon we will be working on a series of blogs with Nepal Film Production on a wide range of subjects that affect the industry and offering a deeper insight into a country that is the jewel in the crown of South Asia, a beautiful country with a fascinating history, the endless potential of Nepal is something we are always happy to showcase and in conjunction with our partners at Nepal Film Production, look at things from a different perspective than the standard vision of the country.

To learn more about the company and Nepal or what they can offer to film and TV see:

Nepal Film Production Website.

New Village Video

As we are all aware there are major changes in motion in the mainstream market of film and TV, which is leading to the question “can the indies step in and entertain us?”  Happily the answer is yes, and sites like New Village Video are stepping up to the plate with gusto and bringing old school values and entertainment back to the market.

Focused on the best and brightest of the indie, art, and grindhouse movie scene, New Village Video is about the charms of a video store combined with the best of the digital age. 

Indie film is the heart of much of their work and their films have that “straight to video” feel that is somewhere between nostalgic and innovative, offering you the chance to support new and emerging talents, filmmakers and artists in a way that is entertainingly quirky.

What this means is there Is an option for us out there who have lower budget visuals and tongue in cheek chic films that are about pure entertainment, getting films out there and opening the door to genre based films that focus on the popcorn chucking entertainment, and scares that a good movie should.  From a filmmaking perspective New Village Video is the modern version of the VHS for hire route that gave us cult/underground movies that went from backyard films to schoolyard legend without the need for a PR team.  

Giving power to the indies is just a small part of what this offers, New Village Video is set to become the digital film archive for those who just want to entertain.  Worthy of checking out on all fronts: from consumer to artiste, the potential to showcase your work, make money on your investment, and have your film seen is enough to tip the scales in their favour and as someone who appreciates movies, and has a set of goals that include schlock horror, this will be top of the list for me to showcase my own films and with their commission rates in the favour of the filmmaker, it is without question a good time to be an indie filmmaker in a fluctuating market. 

To learn more about New Village Video or to discuss submissions see:

New Village Video.

Submissions at New Village Video.

Talking Business with Lukey Lukey

Something we find fascinating is the desire and passion behind brands, Lukey Lukey is a great example of this with the line already gathering attention we wanted to find out more about the beginnings and future of this eye-catching collection.

Lukey Lukey is a curated, yet all encompassing color range that has really grabbed people's attention. Can you tell us more about the line and how it all started?   

 It all started for me during the lockdown. I had been working in the beauty industry as a stylist, colourist and educator for well over a decade, and I had just started a new career as a freelance beauty editor. It was a nice change of pace from the type of work I had been doing for the longest time. I always felt like there was something missing from my career. Whenever I achieved what I set out to do, I wanted to move on to the next thing immediately. I never felt fully content with what I was doing. Finally, it just hit me: I need to start my own brand. Once I had that "Aha moment", everything just became really clear to me. I was grateful to be working fully remotely at the time because it gave me enough time to research everything that I’d need to know to start my own business. The hard work started there, but my vision was crystal clear, so to me the hardest part was already complete. 

When you were designing the Lukey Lukey range what was the driving force behind the look?   

 Lukey Lukey, it’s branding and everything about the aesthetic is like something that’s been trapped inside my head that’s always been yearning to break out. I can’t explain how easy it all came to me. It didn’t even “come” to me, I just let it all out. I knew exactly how I wanted everything to look, how I wanted the logo to be styled, the type of models I wanted to use, everything just flowed very easily. Getting to be creative and design all of this was a dream for me. My mother is an artist and she painted the original artwork, with me instructing how I wanted it to look. It’s such a fond memory of the brand's creation. 

You chose to lead with a cream blusher collection for your brand, is there more planned for the future and can you share with us your plans?   

“ Yes! Blush is very near and dear to me and my journey in beauty! I was always self-conscious of blushing and having rosy cheeks, so it was me taking back my power!”

Trying to celebrate our insecurities – as difficult as that may be at times. I also find blush interesting in terms of colour theory; colour has always been my passion, in every avenue of my life. I have so many plans for future launches and where I want the brand to go. A collection takes such a long time to create, I started planning the second collection before Dream Cheeks – my first collection – even launched! 

Is there any advice you can offer to aspiring entrepreneurs entering into the beauty industry? 

 It’s competitive, so you need to have a very clear idea of what you want to create. Once you know what you want and you are confident in your choices, trust your instinct. Nobody knows what you want to achieve as clearly as you do. It’s great to have a few people to bounce ideas off, but once you make a decision you need to have the confidence to stand behind it. Running a business is difficult enough without doubting yourself, you need to be sure of yourself, always. 

To learn more about the brand or to purchase see:

Lukey Lukey Website.

Lukey Lukey Instagram.

Lukey Lukey Facebook.

Lukey Lukey TikTok.

Sons of Adonis Concealer: A Kit Must Have

We are incredibly proud of our association with the Sons of Adonis range, so much so our creative director JamesC, was able to consult and is extremely grateful to have a concealer brush with his name on it as part of the collection. As a concealer aimed at the men’s grooming market we can see the advantages for both the consumer and professional and will address key aspects of this here.

With a current 3 shade range, this is a good pro starting point for mixing and will easily fit into your working kit and offer up a premium product that not only works but suits a wide range of different applications.

In what has become an increasingly HD world, men are more and more expected to be camera ready for meetings and presentations, TV appearances, film work and family photographs to name but a few occasions that are integral to life now.

Something as simple as a touch of concealer can wake up your look for an interview, or presentation in the office, and lets not forget the ever present Zoom calls that we are frequently asked for these days. Yes, I too have had to “Zoom” and give speeches and needed that little extra edge that Sons of Adonis gives to make me look respectable.

From a makeup artist perspective JamesC understands that a product like concealer needs to be pro grade (which this is) and stand up to the rigors of a shoot as well as look natural in the real world.

The Sons of Adonis range is our personal go-to for work across genres and features heavily in the work of the lost for good reason and we plan to show why with a Q and A blog with founder Shakti Sood who developed this range and has put a huge amount of time into the product to meet the needs of his clientele.

To learn more about the range or to purchase see:

Sons of Adonis Website.

Sons of Adonis Instagram.